Yet Untitled... It isn't too soon that four days before the deadline of the short-film submission, I finally have the full cast!
A little boy, a young woman, a man, a dancer.
The dancer's scenes were the first to be shot, in Saigon, in that old French building near the river, apparently the French soldiers' sleeping quarters. Wonderful Sùng A Lùng's dancing...
The scenes with the young woman were shot yesterday, with Hsu Paulina. I found her through a friend's friend. A quiet and very talented photographer in her own right.
The young man is a young waiter who works at ight in the 101 Tower area. He has a tough look but a deep expression. I was having a drink after the shooting with Amandine and Paulina and saw him. Amandine approached him for me and asked whether he would be interested to feature in a short film. I was so glad when he accepted! I no longer knew what to do!
Today I finally found the little boy: Lex, the young son of Lisa's. I had an older boy in mind, the son of a friend of Aurélien's who appeared in a short film and had this rare mix of intensity and innoncence. But his school schedule and his difficult mother made it impossible to find a day for the shooting.
I recently had dinner with Lisa wo warned me that I would have to cope with her three monsters offsprings. I actually found them very fun and lively. "Because it;s your first time", Lisa said. "It's a different story on a daily basis!". Of course, a mother knows best. Lex was sitting next to me during dinner and commenting on his sibbling's antics. He later told his mother that he was very happy to know me. I had not thought of Lex until now. But it totally made sense. And we had a good connection. It's a wild bet, but I feel Lex willbe perfect playing the artist as a child...
70% of the film is already shot, fortunately.
Pre-editing tomorrow. The two tracks by Sakamoto are also selected. How many times have I listened to his album async...
Things one thinks about when reaching a certain stage in life...
As a child, all I could do was to dream and grow my inner world in order to survive a real world I had to abide every day.
I had always known that artistic creation was my calling. But everything was blurry in my head. The connection between the two world was invisible and intangible. Only when I was on stage playing music or at home making those little theatre plays with my brother and my cousins, did I truly feel alive and aligned with myself. The rest of the time, I was in limbo.
Now, as I'm shooting the remaining scenes for this first short film as a director, I can't help but rejoicing at the notion that it is no longer an distant, unreachable dream. If there is one thing I have always protected and cherished, it is that belief, however unreasonable to so many people, that those dreams were to eventually materialise. The big part of it is hard work and perseverance, and the part is pure magic - or alignment of the stars, whatever else that one cannot command.
That's what I am tring to express in Yet Untitled.
The final title could be [Life] Yet Untitled.