Third day with the musicians. Six of
them: keyboard, guitar, violin, bass, percussion and drum. Cheerful and jovial
as they were, it took some time to know each other musically. I would play them
the songs then get them to write down the structure and the chords, and
rehearse part by part. It is always a challenge to transpose a studio recording
for the stage, and to make the musicians move from ‘doing a lot’ to ‘doing the
necessary’ for the music. Musicians in general love to jam and get wild on
their instrument. Rock, jazz, funk, latin… There’s something primal and
orgasmic in being the musical alpha male. In that sense, I function more like a
classical musician when I compose my songs. Once their frustration of doing too
little is behind, they realise how each of the notes they play greatly
contribute to the architecture of the music. We have reached that stage now.
The keyboardist was very moved when I showed him the piano part of Star in
the Sun and the way the chords were to be arranged. An outgoing man with a
mane of grey curly locks, his fingers would itch and feel compelled to fill
each bar with as many notes as possible. Little by little, the spirit of the
song descended on him and the look in his eyes showed me that he understood.
When right after, the musicians played the whole song, there was a beautiful
atmosphere in the room. Finally, we were making music!
http://www.essaykings.co.uk/ considers your searches in music am ultimate pleasure of adventures! Saying from own experience, there is such a range of possibilities to interpret works of art!
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