It’s not
easy to rework songs written six years before especially when they haven’t even seen their final state of completion. I don’t want to repeat myself, and couldn’t if I wanted to. But
then, leaving my mind open to new musical ideas, gives way to hundreds of
possibilities. It's confusing.
I’m now thinking of recording some songs I have left aside, namely Halcyon. It was originally meant to be played by a Rhode piano and a grand piano, a string ensemble, a whole set of percussions and drums; now I just want to use a simple guitar, a cello, and tablas. No big drum section, no electronics…
I’m now thinking of recording some songs I have left aside, namely Halcyon. It was originally meant to be played by a Rhode piano and a grand piano, a string ensemble, a whole set of percussions and drums; now I just want to use a simple guitar, a cello, and tablas. No big drum section, no electronics…
The battle,
if battle there is, is between what I have been clinging on for so many years,
and letting everything go, without trying to retain the control. The task isn’t
made easy by the fact that I work alone. Mario hasn’t started his part, the
musicians haven’t played anything yet.
So it’s all
happening in my head - I've already sketched some ideas on the computer, just a tool, a
promise of what is to come.
It’s
impossible to stop my mind from imagining, fantasizing. I wonder if that state
of not-yet-done is not the one I prefer, when all is about to be created.
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